Showing posts with label TV Show. Show all posts
Showing posts with label TV Show. Show all posts

Saturday, February 14, 2026

Fandom Pain

(Source: Tamon-kun Ima Docchi!?)

Heart-shaped decorations alleviate amorous atmospheres here and there. All things red and pink dominate malls, minimarkets, and even mansions. Confectioneries and bakeries are offering chocolates or brownies designed in similar styles and shades. Timely tunes that retell enchanting encounters or intimate interchanges suddenly feel sweeter than ever. Events and gifts, such as candlelight dinners and bouquets of roses, are must-do and must-buy items. ๐Ÿ’๐Ÿ’


What on earth is happening? Well, it means the world has fully rotated into the one date that people either look forward to or loathe. Maybe even both at the same time! Hahaha. Yes, Valentine's Day is here again! Or as the innocent kids—and perhaps, adult naysayers—would react, "Womp Womp." ๐Ÿ˜‚


It feels like only yesterday that I posted an exposition about this arguably commercialized festivity. Okay, no, who am I kidding? The 2025 tiredness begs to differ! That piece was indeed many moons ago. Time just passed us by so fast, it's still fresh in my mind alone. ๐Ÿคฆ๐Ÿป‍♂️


The exact thought did occur to me, though. Why should I discuss Valentine's Day again when I can repost that post? But its core theme is love, after all. And love, whether we like it or not, is here, all around us, both in plain sight and through subtle gestures. From the angelic Agape to the evocative Eros, love always invites old stories and new discussions. Seriously, I literally fell asleep rewatching a 30-minute talk show compilation about the day of love last night. ๐Ÿ˜ช๐Ÿ˜…


So, without further ado, let's do that, too! But this time, and this year specifically, let's talk about a unique kind of passionate love that can easily range from adorable to extreme. It's a shared feeling of appreciation and affection that may be as uplifting as it is intoxicating. ๐Ÿ˜ณ๐Ÿ˜จ


To be a FAN!!! ๐ŸคŸ๐Ÿป๐Ÿฅฐ๐Ÿคฉ


(Source: Tamon-kun Ima Docchi!?)


L is for the Way You Look

Everyone's a fan of something. As human beings, we have the agency to like someone or something. When that feeling of fascination grows stronger, it transforms into admiration. ๐Ÿ‘€❣


Over time, such intense fondness may accumulate into devotion, and eventually sheer adoration. Many even go so far as to defy logic and explanations. We've all seen how groups of people are willing to believe or do pretty much anything their worshipped leader/figure claims and orders them to. Isn't that how religions were born? Or how political parties gain traction? ๐Ÿคท๐Ÿป‍♂️


I'm not going to explore that example further, as this (hopefully) will never be the space for that. But being a fan, and not just a casual fan, in many ways is similar to that, eh? It's a community that doesn't mind paying extra or invests more time and energy in a subject/object of interest. ๐Ÿค”๐Ÿคฏ


In older, more sensible, more understanding days, that is. I'll get to that in a few... ⏳


"The fans are like rings that orbit round and round around the stars. They're all just countless particles.

This is how far I should be from him. I can't make the mistake of becoming a meteor and crash into him."

Utage Kinoshita, Tamon-kun Ima Docchi!? (Episode 1)


The quote I included above came from a surprising new anime that's currently airing, titled Tamon-kun Ima Docchi!? (Tamon-kun's B-Side). It's surprising to me because it was never on my radar. Idols and everything around them are, sorry to say, NOT my thing. I dabbled in it (or perhaps tried to get into it?  ๐Ÿ˜…) when I was a much younger, naive nerd, influenced by peer pressure and all. Even so, looking back, my primary interest was always for their songs, not the whole concept of idols and the daunting devotion towards them. ๐ŸŽถ๐Ÿค”


Okay, that's a pretty elaborate exposition to say, "I've never been much of a fan," huh? Hahaha. ๐Ÿ˜…


Anyway, Tamon-kun is a rom-com that leans more into the comedy aspect. That's the reason I ended up watching it. After all, I AM a fan of good comedies. Personally, a fair dose of laughter is always helpful, if not necessary, to lighten up the heavy, dreary, and needy nature of our daily demands. It's the cheesy or sweet embrace we need! ๐Ÿ˜๐Ÿ‘๐Ÿป


Much like my delightful introduction to a certain gourmet anime last year, Tamon-kun most definitely made the most timely entrance. I already wanted to focus on the topic of fans' love since late last year. The anime, however, has given me deeper insight and understanding into how devoted a fan can be. Its theme just clicked so soundly! I guess, like a fated pairing, if it's meant to be, it's JUST meant to be. Would you agree? ๐Ÿ™‹๐Ÿป‍♂️๐Ÿ’ž


The manga-turned-anime series centers on Utage Kinoshita, a high school student who works part-time as a housekeeper. Her job has a divine purpose. Utage needs money to support something, or SOMEONE, to be precise. That someone is none other than her Oshikatsu, the titular Tamon Fukuhara, the alluring, sexy, seductive member of the idol unit (or as we in the 90s called it, boyband) F/ACE. More than that, the hardworking girl is a self-proclaimed missionary of the Church of Tamon, vowing to spread the good word of Tamon-kun and attract more followers. ๐Ÿ’’๐Ÿ™๐Ÿป


Hilariously, the same job crashed Utage into a mindblowing reality check. Tamon's pretty guy, people-pleasing, publicized persona is, well, merely a persona. A gigantic facade, to put it bluntly. His real personality is the complete opposite. Hence, the title's wording "Which Tamon Am I Seeing Now!?" comes into clearer perspective. As instantly implied by his true nature, Tamon is only the first example in the series. Utage eventually learns there are even more. ๐Ÿ‘€๐Ÿคฏ


Utage's expressive but endearing reactions, actions, and interactions with Tamon's gloomy antics become the fuel for nonstop laughter. Despite the strange and wacky situations, she also portrays the spirit of a sincerely supportive fan. It's clear that Utage, so far, is a depiction of the more positive part of the fandom. ๐Ÿ‘๐Ÿป๐Ÿ‘ฉ๐Ÿป


(Source: Crunchyroll)


O is for the Only One

FANDOM is the community of fans sharing the same interest, as simple as that. It's an old term coined more than a century ago. The base word is, well, what else? FAN, which itself appeared two to three decades earlier. Upon deeper look, the term originated from two possible words: Fancy and Fanatic. Those words also have their own history, of course. ๐Ÿค ⚾️


At the time, a "fan" refers to a sports enthusiast. Baseball fancy fanatics, in that era. Nevertheless, as we're now aware, the scope has expanded to encompass nearly any cultural phenomenon, including TV shows, movies, and public figures. The nature is, in a way, polyamory as well, considering someone can be an ultra fan of several fandoms at the same time. ๐ŸŽฅ๐ŸŽป


Oshikatsu, closely compared to the Western idea of Stan Culture, is a subculture of fandom. This particular subculture carries very different connotations depending on who's looking. To outsiders, their dedication may seem like an addiction that triggers unnecessary spending. Still, economists believe it has the potential to revitalize Japan's economy as well. ๐Ÿ‘จ๐Ÿป‍๐Ÿ’ป๐Ÿงš๐Ÿป‍♀️


That describes Utage's character and driving force. As a student, she doesn't really need to worry about food on the table or paying monthly electrical bills. She has parents who are alive and active to handle those responsibilities. Oshikatsu activities, on the other hand, are NOT a cheap choice. It requires significant financial demands on Utage's pocket to show support for her Oshi. There are concerts to attend, merchandise to buy, and all kinds of fans' banners to make! She works hard to make all of that possible. ๐Ÿ’‡๐Ÿป๐Ÿ’ต   


Admittedly, the negative sentiment that fawning over an oshi is a pointless, negative, unhealthy, and selfish behavior makes sense. But instead of judging others so easily, let's remember that people live differently, and that's fine. A lifestyle or life choice that works for us doesn't necessarily bode well for others. ๐Ÿคซ


Everyone's a fan of something, and if we stop and think about it, each one of us has probably invested some form of contribution to our fandom. Maybe it's literal money, like Utage? Or, it's simply the intangibles, such as time, effort, and attention. Also like Utage. Hahaha. Again, fandom is an overarching term that applies to various aspects or subjects in life. ๐Ÿ’ซ๐ŸŒ


Later in the story, it was revealed that Utage also had a fundamental reason for joining Tamon's fandom. Without spoiling anything, the idol's presence helped her find her place and purpose. Honestly, that's the part I can relate to so much. As a human being with free will and not an AI chatbot (and somehow baffled that I still need to point that out sometimes), obviously, I have my share of fandom, too. My essays on Super Sentai, Pokรฉmon, and some others are evident enough already. ๐Ÿ˜…


The one that mirrored Utage's dedication the most, however, was my interest in the Sakura Taisen (Sakura Wars) franchise. Their music, to be even more specific (composed by the all-time greatness Kouhei Tanaka-sensei). I couldn't really claim to be a hardcore fan of the entire franchise. Frankly speaking, the only game I played from start to finish was Sakura Taisen V: Saraba Itoshiki Hito yo when NIS America localized it for the Nintendo Wii. That said, the musical numbers always gave me a purpose, whether big or small, to keep going forward. ๐Ÿ˜ฅ๐Ÿ•บ๐Ÿป


And yes, that entire paragraph was in the past tense for a reason. Before SEGA soft-rebooted the franchise in 2019—only to tank it again on June 30, 2021, with the underperforming Sakura Kakumei ~Hana Saku Otome-tachi~ mobile spin-off—, the game series had already entered hiatus in 2008. Even so, stage musicals and smaller-scale festivals and anniversary events continued taking place at irregular intervals until July last year, with Sakura Taisen Budoukan Live 2 ~Teito.Paris.New York~ being the most notable and memorable one, in October 2011. ๐Ÿ’ƒ๐Ÿป๐ŸŽค


I specifically mentioned that show because that was the last time the main and key supporting cast members from the first five games held a memorable, once-in-a-lifetime concert to unsurprisingly much fanfare. Now, that glorious ensemble is no longer possible. Several of the voice actors are sadly no longer with us. Truthfully, my focus on the franchise has started to wind down from that point onward, too. Not even the 2019 game managed to fully revive my interest. ๐Ÿคซ๐Ÿ’ฟ


(Source: SEGA)


V is Very, Very Extraordinary

Such is the unfortunate, heartbreaking reality of fandom. As with all things human-related, every entertainment entity starts and finishes. It's always a temporal existence. There's an inevitable time limit to how long it can keep going. ⌛️⛔️


Many of us often wish for a show or a movie franchise to continue forever. Or for a favorite idol to keep singing and shining on stage. Alas, that is as rare as a snow leopard. The kids' show Doraemon has been on air since its 1973 premiere. Even after the creator passed away. Neighbours, the famous Australian soap opera, on the other hand? It wrapped again (yes, for the second time) last year, despite staying on screen for 41 seasons. While the legendary actor Dick Van Dyke remains as spry and enthusiastic about working, others like Dame Judy Dench have officially retired from the industry. ๐Ÿคท๐Ÿป‍♂️


On the bright side, the attachment itself, especially supercharged with nostalgia, doesn't really go away. As heartbreaking as it may be not to see our beloved media or characters in the spotlight, technology has made it easy and convenient for us to revisit them. Many older series and movies that were once confined to outdated formats, such as VHS or CDs, have been digitally remastered and are accessible at the palm of our hands. ๐Ÿคณ๐Ÿป


Sure, there was a sense of sadness and pain when the object of interest left our lives. But now, that pain feels less aching. Even when they don't technically exist anymore, the all-time classics are still around. They will remain as long as the baton continues being passed on to the next generation. I may not be the avid fan that I was before. But the fact that I can listen to and sing Sakura Taisen songs on different digital music services, 30 years after its game debut, is an extraordinary example. ๐Ÿคฉ๐Ÿ‘๐Ÿป


"Fans are terrifying creatures.

They're ruthless beasts who engage in bloody quarrels with each other."

Keito Tachibana, Tamon-kun Ima Docchi!? (Episode 7)


The new, real pain, regrettably speaking, has instead come from a different side of the table: the fandom itself. ๐Ÿ˜จ


No, I can only wish I'm kidding with that! Eras have changed, as they always do. The way fans interact with films, shows, anime, celebrities, and more has also morphed, for better or worse. Understanding and sensibility don't play out as they did before. ๐Ÿ˜”


Personally, I’m not even sure when this irritating irony started. Calling it ‘new’ already feels outdated. TOXIC FANDOM, a phrase that has gotten very common, disturbingly so, has been prevalent in recent years. Or maybe the better wording should be MUCH LOUDER AND BOLDER? As many have pointed out, social media blurred barriers and boundaries between interests and fandom. It paved the way for anyone in the fandom to express their views in real-time. Disappointingly, that includes bullying, harassing, and sending death threats, not just to other fans with a different point of view, but even to the creators directly. ๐Ÿคฌ๐Ÿ‘น


Stranger Things concluded its story after five seasons on New Year's Day. Immediately after, many fans stormed the internet, crying that they had been betrayed by an ending "too HAPPY" that it didn't meet their expectations. Apparently, it would be more pleasing to them had one or more of the characters died in the final battle. Wait, what? ๐Ÿ™…๐Ÿป‍♂️๐Ÿ˜ฑ


The Marvel Cinematic Universe is currently in an odd state of "dismissal" post the spectacular success of Avengers: Endgame. The amount of ridiculous hatred toward its movies and TV shows echoes across social media as of this writing. Here's an unpopular opinion: NONE of them are as awful or as bad as the discourse complaints, though. It's just a matter of which demographics the title is aimed at. ๐Ÿ™†๐Ÿผ‍♂️๐Ÿง๐Ÿฝ‍♀️ 


Likewise, I can say the same about Nintendo. When the Japanese company announced Nintendo Switch 2, the community's cheers quickly turned into sneers upon the revelation of the much higher price. For years, the fandom rallied Nintendo to keep up with the rest of the gaming industry in terms of technical specs. Yet when they decided to do so, including the inevitable higher, non-family-friendly pricing? To this day, comments shouting, "Nintendo is greedy!" still appear across channels and social media posts. ๐Ÿ’ฐ๐Ÿ‘ˆ๐Ÿป


"You are part of the problem" is a direct personal attack that I will never forget that day. To think I was only commenting neutrally that, due to the rising cost of everything, the "console price makes sense." For the first time in my life, I got called a "Bootlicker" too! Woohooo, achievement unlocked! Hahaha ๐Ÿคฃ


Similarly, the Pokรฉmon franchise continues to get the short end of the stick. Its newer games are ridiculed and review-bombed by people before they launch. The sentiment that "Game Freak is lazy" has gotten very exhausting and repetitive. It's as if the complainers are parroting the same copy-pasted excuse. Over and over again. ๐Ÿ˜’๐Ÿ€


When a hacker stole and leaked terabytes of project data from the company—a massive privacy breach for Japanese companies—a portion of fans cheered and shouted that the punishment should have been worse. The demo of the upcoming Pokรฉmon Pokopia, set for a March 5, 2026, release, has surprised many gaming journalists in a good way. But if one scrolls to the comment sections, the nagging rant over Game-Key Cards is still there. ๐Ÿ™„๐Ÿคฆ๐Ÿป‍♂️


(Source: Eurogamer)


Here's the thing: I'm a simple guy. A natural nitpicker. If I like something, I support it in the way that I can. Maybe I can save up to buy and enjoy it fully. But if it's too expensive, I cheer for it in silence. If I don't like something, I don't invest my emotions or money in it and shift my focus elsewhere. There's really no point in harassing others who seem to like it, even if we share differing tastes. ๐Ÿคท๐Ÿป‍♂️


But that's not how it works anymore? Does that neutral stance mean I'm not a real fan? How about the so-called fans of modern fandoms who—under the bold excuse of pushing for good change and quality— don't hesitate to attack creators whenever things don't play out the way they have desired? Do they count as the real fans instead? ๐Ÿค”


"Your duality seems even more intense than mine."

Tamon Fukuhara, Tamon-kun Ima Docchi!? (Episode 1)


By looking at it through the lens of love, the toxic development starts to feel less surprising. Fandom IS a form of love after all. There is an emotional investment poured slowly but surely into the dedication. Once it reaches a certain level, it may evolve into an obsession. Obsession can have a positive impact as a powerful force that pushes forward. An obsession that's not regulated and balanced carefully, though? Can trigger harmful outcomes or even compulsive behaviors! ๐Ÿ˜๐Ÿ‘ฟ


If a romantic relationship can turn sour and downright abusive, the same applies to fandom. Love can become a dangerous sense of entitlement. When fans develop a specific fan identity, anything that does not meet their idealistic mindset may be perceived as a threat. Their personal investments suddenly mean ownership over the object of interest. God complex much? Or an extraordinary pain in the neck? ๐Ÿ‹๐Ÿ‘บ    


E is Even More Than Anyone

No doubt, being a fan is a different case now. It requires a lot of patience to be in a fandom that has gotten hostile, draining, or fractured. Experts say pain lingers when what we love is gone. But in modern fandom, the pain swells while it's still alive. The noise, the wars, and the endless negativity might make us question why we even bother to stay in it! ๐Ÿ˜ฉ๐Ÿคฆ๐Ÿป‍♂️


Fortunately, people are indeed aware of the rise of toxic fandom. It could very well sit among the reasons for the increasing push to limit social media access for kids in various countries. Many psychologists and writers have also emphasized the importance of walking away from social media. It serves as a form of activism in its own way. ❌๐Ÿ“ต


Truly, I agree that's a great gesture and action. Although it's not easy to pull off, the thought of not having to wade through a pool of toxic fandom already gives me peace of mind. And really, we should be in charge of our emotional safety. Let the toxic be toxic while we persevere in positivity, far away. Right? Hahaha! ๐ŸคŸ๐Ÿป๐Ÿ˜


Moreover, the reality remains that a fandom began as a united community. A group that shared a similar love for someone or something. In many ways, that's still happening. There are many good apples despite some rotten bunches. ๐ŸŽ๐Ÿ˜‡


When a political move prompted The Walt Disney Company to dismiss director James Gunn, positive fan support allowed him to return and direct Guardians of the Galaxy Vol. 3. Most recently, actress Maya Imamori was unceremoniously fired from No. 1 Sentai Gozyuger. The fandom voiced its disapproval about the unfair treatment. Yet, there was no boycotting the show or its producers. The show continued to air, despite being in an awkward state, and the fandom watched to the end. Both examples are proof that fandom can raise a healthy voice. ๐Ÿ˜ฎ๐Ÿ‘๐Ÿป


(Source: Still Watching Netflix)


Watching Tamon-kun provides a similar reassurance. Utage has indeed reprimanded Tamon a few times when his negativity gets a little too dark and almost gets the best of him. No matter how I see it, though, her reasoning is always to support and infuse positivity back into him. There's no hostility, and not once does she think she's above him! That's a display of genuine tough love that reminds Tamon how much he means more to her than he thinks. If anything, the show keeps reminding me that people who think like Utage are still plenty, and that not all hope is lost. ๐Ÿ˜Œ๐Ÿงก


Therefore, before this Valentine's Day ends, let's ask ourselves a simple, honest question: 

Do I want to be in a toxic relationship?

If the answer is NO, then let's start by not being the toxic one in the relationship. Loving something doesn't need to be a bittersweet affair. Beyond the drama and disappointments, it can still be a world we once called home. All we need to do is focus on the good and not the bad. ๐Ÿ˜๐Ÿค


It works as effectively in fandom. Not everything will work out the way we want to. Instead of reacting negatively, staying calm and composed is always an option. And, maybe, after a second, third, or fourth look, we might even notice more to say, "It's a fantastic time to be a fan!" ๐Ÿคฉ๐ŸŽ‰


"There are going to be some fans who drift away. 

And there'll be some fans who won't."

Ouri Sakaguchi, Tamon-kun Ima Docchi!? (Episode 6)
(Source: Tamon-kun Ima Docchi!?)

 

Sunday, February 8, 2026

From Me to You: They're Always Number One

And just like that, the final episode of No. 1 Sentai Gozyuger has wrapped, concluding the 50-year-plus broadcast run of the Super Sentai franchise. ๐Ÿ‘‹๐Ÿป๐Ÿ˜Œ


For now, at least... ๐Ÿคท๐Ÿป‍♂️


But we'll still be getting one more offering in the upcoming annual V-Cinema Versus movie. No. 1 Sentai Gozyuger vs. Boonboomger will have a limited theatrical release on March 20, 2026, with home video versions arriving on July 29, 2026. So, Super Sentai has not completely closed its chapter just yet! ✋๐Ÿป๐Ÿ˜Œ

 

(Source: Toei Video)

(Source: Bruna Bastos)


In the meantime, here are some creative fan tributes to keep us company:
(Warning! They contain SPOILERS and, in a way, can be pretty emotional.)

(Source: Tokusan Viet Nam)

(Source: Hawkilles)

(Source: Ultra Rider MV)

(Source: BliBli via LittleAniGoGo)

(Source: Fiction Verse Indo)

Monday, January 26, 2026

Fare Thee Well, My Masters & Multicolored Heroes

October 31, 2025, might be Halloween for many. It's a day when people dress up in crafty, colorful costumes from the corners of their fandoms. The ones that represent mastery and heroism in ways known only to the wearer. Parties and nightmare-themed events are available, held, and organized to be a celebratory experience that only happens once a year. ☠️๐Ÿ‘ป


But for me, the nightmare didn't require any fake haunted houses. They landed on the comfort of my home. First came news from my brother that shocked me to the core, concerning an almost lifelong part of our lives. The next day, before the sun even peeked on the cloudy horizon, an eerie comment haunted me with dazed confusion, only to become a confirmation a few hours later. It shattered my reality, prompting me to retreat into a suspension of disbelief. "How could this even happen?" I lamented. ๐Ÿ˜ซ๐Ÿ˜ญ


Okay, yes, I admit that sounds cheesy and exaggerated. Isn't that a common reaction on social media nowadays, though? To resort to a hyperbolic response mode, as if one's rights and feelings are being attacked, assaulted, or violated by a cruel party without warning? ๐Ÿ‘บ๐Ÿ™„


Hahaha, wait, that paragraph felt outlandish too, eh? Unnecessary social criticism aside, no, my reaction was far tamer than that description. My mouth did let out an instant yelp of "You're kidding, right?" And although my emotions weren't as vividly intense as described, I was indeed taken aback by both pieces of news. ๐Ÿ˜Ÿ


What news? Let's rewind to what they are, starting with the latter. Because it will be the first to chronologically transpire. And very soon. ⏱️⏳


(Source: Pokรฉmon Masters)


"Our paths they did cross."

I have been using my Fool's Errands section to write about my experience in re-experiencing two Pokรฉmon mobile games so far. Out of the slew of titles I am still playing, however, there's one I've never considered for this exploratory experiment (or pointless project, to some people hahaha ๐Ÿ˜…). The video featured above probably already spoiled any mystery. It is none other than Pokรฉmon Masters EX. PokรฉMas, for short, in its country of origin. ๐Ÿ™‹๐Ÿป‍♂️


Why haven't I tried replaying the game from scratch? The idea alone felt daunting and logistically challenging. The app doesn't allow switching accounts easily like Pokรฉmon GO. While Pokรฉmon Cafรฉ ReMix shares the same limitation, at least it's available to install on Nintendo Switch, which naturally works as a separate medium from my main gameplay on my phone. Besides, Cafรฉ ReMix's data size is somewhat small. PokรฉMas warrants a far bigger space—hence, the need for a separate phone—to pull off. ๐Ÿคท๐Ÿป‍♂️๐Ÿ“ฑ


In all fairness, I somewhat regret not looking for a workaround to make it happen. After all, in just two days from now, PokรฉMas will bow out, making its grand curtain call. In my country, that is. Emphasis on that, so please don't freak out if you've been playing it, too. ๐Ÿ–๐Ÿป๐Ÿ˜ฒ


As long as your country hasn't received the END OF SERVICE announcement, you're safe to keep playing. Good for you! Please keep playing and supporting it! After all, there's always a risk of it happening elsewhere, too. My country isn't even the first, and it's just joining other countries that already prohibited access to the app (some from day one). ๐Ÿ˜”๐Ÿคท๐Ÿป‍♂️

(Note: You can probably pinpoint which country I'm residing in from that info alone. Not that I mind, as it's not a scandalous secret anyway. ๐Ÿ˜œ)


The brainchild of Ken Sugimori, the renowned designer who has created numerous characters and Pokรฉmon species in the franchise, PokรฉMas shifts the focus onto the colorful cast of protagonists, Gym leaders, Champions, and even antagonists by bringing them all to one island. Canonical question notwithstanding (it's practically a multiversal meet-and-greet), that's the primary, and personally, thrilling appeal compared to the catch & collect-oriented Pokรฉmon GO. ๐Ÿ˜Š๐Ÿ™Œ๐Ÿป


Hey, at some point, I proudly declared PokรฉMas to be the best Pokรฉmon mobile spin-off. Come to think of it, it's still kind of IS? I mean, where else can we see characters from different regions cross paths, interact, and form an unexpected bond? ๐Ÿค”๐ŸŒ


For example, the Team Galactic leader, the big baddie Cyrus from Sinnoh. He could exchange tech intellect with Sophocles, a nerdy boy from Alola who has zero interest in creating a perfect universe. How about Johto's resident Ghost guy, Morty, setting up an after-school occult club with Galar's Dark protege Marnie among the students? And don't forget the sweet, found friendship between Paldea-native Arven and Unova-based N, which, mind you, didn't happen so smoothly just because they had similar parental problems. ๐Ÿคญ๐Ÿ’›


PokรฉMas has given these existing characters, along with future ones, the space to thrive and grow beyond the confines of their base games. In those games, their participation pretty much ends once the ending credits roll in, and maybe even earlier in the gameplay. Here, Kalos' renowned Sycamore could reunite (and arguably speaking, mend the bridge) with his former friend turned misanthropic eco-terrorist Lysandre. Steven and Wallace might have hinted there's something more between them beyond passing the baton of the Hoenn Champion title. Meanwhile, Red, Blue, and Leaf proved their battle bond by forming a formidable Kanto Legends trio together! ๐Ÿฅ‡๐Ÿฅˆ๐Ÿฅ‰


(Source: Pokรฉmon Masters)


It's like literal fanfics coming to life! ๐Ÿคฉ๐Ÿฅบ


With that said, it would be a blatant lie if I claimed that my interest in PokรฉMas has stayed high. Following a mindful memory analysis, I realized that my enthusiasm started its downward trend around the game's 4th anniversary. At the time, I somehow encountered a difficulty in updating the app, and the customer support, who was usually very reliable, couldn't even assist me. Guess what? It's mindblowing what almost two weeks of absence can do in altering one's attachment to an app. ๐Ÿคฏ๐Ÿ‘๐Ÿป


Another major ongoing issue for me was the pattern of putting the spotlight on the same character repeatedly. Red and Cynthia, the Sinnoh fearsome Champion, are iconic fan favorites, yes. Even so, giving them various new alternate Sync Pair combinations with new Pokรฉmon did NOT work for or impress me. The biggest offender, however, was the introduction of the obviously monetization-aimed Arc Suits (which, again, debuted with Cynthia's other new alt). ๐Ÿ™„๐Ÿคฆ๐Ÿป‍♂️


Last year, PokรฉMas added the Terastal gimmick from Pokรฉmon Scarlet/Violet. I enjoyed the Terastalization in my Paldean adventure. So, I assumed that would renew my interest in the app. Sad to say, it has been the complete opposite. Maybe because, once again, the app chose to assign the gimmick to the same faces. I have zero knowledge behind the scenes. However, I wonder if DeNA, the developer, had already shifted focus to Pokรฉmon Trading Card Game Pocket, which has since become a global hit, arguably more than PokรฉMas. ๐Ÿƒ๐Ÿ’Ž


To prevent this from rambling into a more detailed rant, allow me to move forward with the other goodbye. Besides, the second one has a more profound impact. ๐Ÿ™


"And so it goes, on and on."

My first official entry in this (new) blog explored the wonders of nostalgia that, in many ways, served as the start of facing a long-buried grief. The piece centered around a long-running entertainment franchise that has been, in many ways, influential on my growing up journey. It was already on TV before I was born, and has remained on air when this post goes up. Those multicolored heroes have come a long way, huh? ๐Ÿค”๐ŸŒˆ


That's why the irony hit somewhat hard. My brother's startling news a few months ago was, "SUPER SENTAI IS ENDING!" The initial reaction was a giggling, "You're kidding, right?" Even though I'm fully aware the opposite party isn't one for joking. Seeing his firm confirmation, the line turned into a higher tone, "YOU'RE KIDDING, RIGHT?" riddled with a wave of disbelief. ๐Ÿ˜ฎ‍๐Ÿ’จ


I mean, I'm pretty sure ANY Super Sentai, or even Power Rangers, fans would react similarly. TOEI is currently airing No. 1 Sentai Gozyuger as the 50th anniversary season. They've been doing this for that long. Why would they suddenly stop a staple show that's been a part of generations of children's Sunday mornings? Have they gone mad? ๐Ÿ˜ฑ๐Ÿ‘ฟ


What was first blowing across the globe (from Asia to Europe and beyond) as a rowdy rumor soon burst like a balloon as an official statement. That it wasn't made up, and it was more or less REAL. Hollywood has been flaunting the phrase "Superhero Fatigue" for years. So, is that actually happening to Japan's entertainment industry? Not quite. ✋๐Ÿป๐Ÿ˜…


Although not explicitly confirmed, Kyodo News Agency and The Sankei Shimbun noted that the recent Super Sentai seasons, such as Bakuage Sentai Boonboomger and Gozyuger, have not been selling much. And by selling, that means toys and action figures. Despite the action scenes, compelling characters, and storylines in some titles, the most prominent aspect of the franchise is, no doubt, the live events and merchandise. The sales from those consumer-based practices fund the production costs, thus allowing the franchise to continue running. ๐Ÿค–๐Ÿ’ฐ


(Source: Wotafa)

Regrettably, the country's declining birthrate only means a gradual decrease in viewership numbers. Consequently, that spells less overall profit. Many no longer buy Super Sentai merchandise for their kids. Though, let's be real: who still does that anyway? With the rising cost of daily necessities, healthcare, and education, only super-loaded parents can even afford to buy those expensive action figures. Moreover, the customer market has already switched to adults in general, no longer serving the younger demographics. Why else would The Pokรฉmon Company and LEGO market their recently unveiled collaboration for older enthusiasts? ๐Ÿ’ต๐Ÿ™†๐Ÿผ‍♂️


Shinichiro Shirakura, a senior executive at TOEI, has since explained (via Asahi Shimbun) their creative reason. It's a massive Marvel Cinematic Universe-inspired decision, it turns out. A franchise that goes on and on needs to reinvent itself to avoid being run-of-the-mill. The fascinating thing was that he didn't confirm the financial difficulties explored above. Or the fact that the Super Sentai franchise has come to a definitive END. Shirakura called it a HIATUS. ๐Ÿ›Œ๐Ÿผ⛔️


Admittedly, I could smell corporate sweet-talk right away, considering the explanation came a month later. Then again, Shirakura wasn't kidding either. In the same week, TOEI revealed the replacement show, which will be called PROJECT R.E.D. ๐Ÿงง๐Ÿฎ


Cut to the present day, the official trailer and cast names for the project's first title, Super Space Sheriff Gavan Infinity, have been released. A week ago, on January 18, to be precise. BandaiJP channel has even released a video showcasing the (what else?) toys and merchandise. The new show, which will take over the Super Sentai timeslot, is set to start airing on February 15, 2026. ๐Ÿ“…๐Ÿ‘€  


(Source: TOEI Tokusatsu World Official) 


"Your voice will still remember our melody."

In the end, an exaggerated response is not really necessary, eh? ๐Ÿ˜›๐Ÿ™…๐Ÿป‍♂️


PokรฉMas may soon become an empty, inaccessible husk in my country. Still, assuming DeNA doesn't wipe out our regional save data from their servers like a super villain, I can always continue playing when I visit or, who knows, move permanently to another country. ๐Ÿ›ซ๐Ÿ“ฒ 


While Super Sentai is officially gone two weeks from now, the sci-fi replacement will introduce a team of three, not five, heroes. Kamen Rider Zeztz has already introduced two Riders with different color schemes, with three more debuting starting next week. Eventually, TOEI will merge Gavan Infinity and Zeztz to follow their Hollywood entertainment-inspired goal. Speaking of which, Disney has taken the baton and is currently developing a new Power Rangers series from scratch. Therefore, if we stop and think about it clearly, Super Sentai isn't really closing for good. Its multicolored spirit continues, albeit with a new name and title. ๐Ÿ“•๐Ÿ“ฝ


My lingering qualm, if anything, is how I'm bidding farewell to PokรฉMas and Super Sentai with such an underwhelming emotion. I've never sensed the urge to try PokรฉMas's new Pasio Towers mode. The Pasio Academy feature, though fascinating at first, is yet another attempt to reuse the same characters again, this time in school-related attire. Apart from several episodes (Yuichi Nakamura's Gaia was a terrific guest star), Gozyuger has always felt like a chore to watch due to its unclear direction and lackluster quality (for my subjective standards, that is). Plus, there's that unsavory cast shake-up happening close to the finish line. Had the Super Sentai franchise concluded with the neatly written and passionately produced Kaizoku Sentai Go-kaiger, I'd probably be crying nonstop. But with Gozyuger? I'm not even sure what to say. Truly, this waning interest of mine has robbed me of the joy of enjoying both their final run. ๐Ÿ™„๐Ÿคฆ๐Ÿป‍♂️


Nevertheless, do I feel sad about not being able to see more characters appearing in PokรฉMas or welcome more colorful themes in future Sentai teams? In a way, yes. Do I also feel I've wasted time, energy, and attention on something that in the end ends so abruptly? Yes, I do, and annoyed by it, I suppose. But do I regret playing each battle stage or watching the weekly episodes? That's a big N to the O. So, perhaps the best word to describe it is bittersweet? ๐Ÿค”๐Ÿ˜…


Even if those were times that I could never rewind or take back, they weren't nothing or pointless either. One might only accompanied me for the past six-plus years, and the other was all my life. Yet, there was fun, joy, laughter, occasional tears, and genuine excitement just the same. Despite the ups and downs, I enjoyed and appreciated each moment. ๐Ÿคฉ๐Ÿ˜ข


PokรฉMas' delightful personalized musical arrangement will always remain an earworm in my earphones. I'll gladly listen and anticipate new melodies, even if I cannot experience the stories in person. I've grown up with Super Sentai as my heroes, my friends, my family, for every phase of my mortal voyage. Even if a Sunday without it will feel weird, there are five decades of library to rewatch and revisit. Heck, I can still sing the melodies of Dai Sentai Google V opening intro or dance to Zyuden Sentai Kyoryuger's catchy ending anytime my heart desires. ๐ŸŽค๐Ÿ•บ   


Really, that's just the thing about life, right? 

"We met, we laughed, we held on fast, and then we said goodbye." 

Change is an inevitable part of the cycle. Good things don't last forever. There's a time limit for everything we encounter. But when one door closes, another opens to offer a new, unknown pathway that could lead to more good things. ๐Ÿšช๐Ÿ›ฃ️๐Ÿค


More importantly, let's not forget that the fond memories we've had or shared with them will silently but softly stay inside us. Over time, they may return to greet us with a familiar warmth. Maybe in a new form, maybe as a different shape, but they feel as if a long-lost friend. ๐Ÿ’ž⌛️


With that, I wrap this piece and whisper this melody:

Farewell, Pokรฉmon Masters EX and Super Sentai. 

Thank you for the years and decades of memories. 

Until the day we cross paths again, 

"Come circle round and grow deep in our hearts. 

As long as we remember." ๐Ÿ™๐Ÿป๐ŸŽต


(Source: Emiko Shiratori)

Sunday, November 30, 2025

Food for Tropes

What makes anime such a delectable delight to consume? ๐Ÿ–ฅ๐Ÿคจ


For long-time experts of the entertainment medium, answering that question may feel like a piece of cake. I mean, even if I don't consider myself on that level, I can still offer my two cents with ease. Then again, those who aren't fluent in the art form may not have an answer. ๐Ÿค”


Access to anime has gotten easier thanks to streaming services, unlike the early 1990s, when there were only local TV broadcasts and physical copies. Crunchyroll and Funimation (now under one company) seemed to be the only major English-language global distributors by the early 2000s. Now, streaming services like Amazon Prime Video and Netflix have diversified the market with exclusive titles. Lately, Disney+ has stated its aim to expand its library with original anime series. ๐Ÿฅ๐Ÿ


Such a positive development helped shed the outdated stigma that "anime is a Saturday morning cartoon." With millennials occupying the adult demographic, those who follow anime aren't sneered at as nerds anymore. They grew up watching anime and have continued to do so. Even when some ARE technically nerds, being an anime fan is no longer considered an embarrassing act. Nevertheless, that still doesn't mean everyone watches anime. ๐Ÿ˜…๐Ÿคท๐Ÿป‍♂️


Of course, I'm not here to ramble about that. That topic is worth a separate think tank, to which I don't feel I have the minimum expertise to pull off. Instead, I'm focusing on my answer to the initial question. Although anyone might have guessed what that answer is, based on the title of this post alone. ๐Ÿ˜‹๐Ÿฅช


(Source: Tonsuki 2 Episode 6)

Alluding Appetizer

Food has always been a part of my life. And, no, I'm not trying to sugarcoat the basic fact that it's one of the essentials for living beings. I'm talking about my upbringing. After all, it's not wrong to say that, growing up, my family's livelihood revolved around food. Or cooking, if I should be more precise. ๐Ÿฝ๐Ÿ‘ฉ๐Ÿป‍๐Ÿณ


Having immediate and extended family members who are/were great cooks further added to the recipe. Whenever we had annual celebrations or family gatherings, restaurant-purchased meals did not warrant many plates. In general, we tend to prepare everything at home. Oh, what tasty times those were! ๐Ÿ‘จ‍๐Ÿ‘ฉ‍๐Ÿ‘ฆ‍๐Ÿ‘ฆ๐Ÿฑ


Therefore, if you sneak a peek at my phone, you may notice how I have plenty of food photos. I'm sure my friends would gladly attest to that insufferable habit, as I've often shared those "cruel" savory snapshots. If I'm ever active on Instagram, food will probably flood my feed. What else? Hahaha. ๐Ÿคณ๐Ÿป๐Ÿ‘€


Besides, my YouTube history already consists of culinary-related channels. Whether it's legendary cooking guides like Chef John's Foodwishes and Cooking with Dog, story-driven variants like Max Miller's Tasting History and Dianxi Xiaoge's Yunnan living, or restaurant(-I-may-never-visit) reviews like DancingBacons, TabiEats, and Japaneats, anything food-related is my daily consumption. ๐Ÿคค     


Well, were I blessed with a bottomless barrel of resources (time, tools, ingredients, space, etc.), I probably would've started my own food-themed channel, too. Then again, I have no cooking knowledge. And the best role I could fill is nothing but a kitchen assistant. So, maybe, I might've ended up as yet another traveling foodie? ๐Ÿ™„๐Ÿ›ซ


At this point, observant readers may be wondering. What does that nostalgia nonsense have anything to do with anime? ๐Ÿ˜๐Ÿ’ญ


Soup for Senses

Due to my art-based project—which will officially conclude for this year tomorrow—new anime titles have once again occupied my schedule. I need them as a reference anyway. Since I haven't been in the anime cycle/circle for quite some time, the first thing that clouded my mind was, "But what new show should I watch?" ๐Ÿค”๐Ÿ‘€


Hilariously, this was the choice recommended directly to my face by the ever-spying Google:

(Source: MAPPA Channel)


Does that look exciting? The premise of Tondemo Skill de Isekai Hourou Meshi (Campfire Cooking in Another World with My Absurd Skill) is a familiar theme delivered with an unusual twist. Often abbreviated by fans as Tonsuki, the series centers around Tsuyoshi Mukouda, a salaryman transported to another world. While others who came alongside him unearthed impressive Role-Playing Game skill sets, Mukouda was shockingly "stuck" with a low-level, "laughable" ability. Online Grocery! ๐Ÿ˜ฒ๐Ÿ›️


I admit, the Isekai (meaning Another World) genre isn't usually my thing. Medieval RPG ranks the same in my preference scorecard. So, there was immediate hesitation before I decided to give Tonsuki a go. Also, the one currently airing is Season 2. Thus, I must travel in time to check out the prequel first. Oh, Nooo! ๐Ÿ˜ฉ๐Ÿ˜ช

 

Much to my surprise, that's not a decision I would ever regret. True to the title, despite the unusual approach, Tonsuki is still a COOKING ANIME! So, I chomped down the entire Season 1 like someone who just ended a hunger strike! ๐Ÿคฏ๐Ÿคฉ


My speed was definitely not as fast as Fel, Sui, and Dora-chan finishing Mukouda's homemade meals or delivery takeouts, since I could only watch it during breaks. The fact that I wrapped it up very quickly proved how enjoyable this show is, though, at least to my taste buds. Now I have no choice but to wait each week for a new Season 2 episode. ๐Ÿ˜…๐Ÿ“…


Sure, I won't argue that PETA would probably have a field day criticizing the continuous carnivorous feasts. Furthermore, this show is basically a gigantic but not shameless product placement. After all, the branded sauces ARE ingredients, and the ad revenue most likely helps boost the animated quality. Thanks to that, the animation very rarely feels subpar. ๐Ÿคฉ๐Ÿ–ฅ


On top of that, the meals on Tonsuki almost always look mouthwatering. That's because of the method MAPPA deployed to assemble the cooking scene. Here's another example that should visually support what I just said:

(Source: MAPPA Channel)


A Salad of Selection

Watching Tonsuki brought an enlightening epiphany. No, not the philosophical kind, of course. It made me realize a pattern: "Cooking anime is a frequent item on my watch list, eh?" ๐Ÿ˜ฑ


On a broader scope, the list has even included food-fronted manga-to-anime titles that don't involve cooking. Maybe it's about baking/pastry or drinks, like a cafรฉ, teashop, and surprisingly bars! Something completely detached from any kitchen kerfuffle but still revolves around food, such as the Ramen-focused series Ramen Daisuki Koizumi-san (Ms. Koizumi Loves Ramen Noodles), is another must-watch. That's pretty much a fictional documentary of iconic ramen styles! ๐Ÿ˜๐Ÿœ

(Source: Anime Supreme)

Basically, my anime preferences mirror my YouTube history! The difference is that this history preceded the online video service. A trip down memory lane reminded me of one title that, if memory serves, was my first appetizer to the culinary/gourmet genre. ๐Ÿง’๐Ÿป๐Ÿ‘จ๐Ÿป‍๐Ÿณ


Mister Ajikko exposed me to the magic of cooking anime, including the notorious exaggerated expressions. I'm sure the judges of competition shows (MasterChef, Iron Chef, and others) would roll their eyes upon seeing anime characters react to food in these anime. Sometimes I join that bandwagon, too, whenever the scene feels too over-the-top embarrassing. ๐Ÿ˜…๐Ÿคฆ๐Ÿป‍♂️


That's one of the reasons I'm still wary of watching Shokugeki no Souma (commonly known as Food Wars!). The spicy salacious innuendo is too much for me! Still, whether foodgasm is humanly possible or not, we like it or not, the colorful commentaries add charm to the shows. If anything, it makes for a satisfying sense-shocker. ๐Ÿฅต๐Ÿคฏ

(Source: Nightmare Awakened)

Since I already namedropped several titles, I might as well share more of what I considered memorable. ๐Ÿ˜…


Tonsuki isn't the only gourmet anime of the season. Kakuriyo no Yadomeshi (Kakuriyo: Bed and Breakfast for Spirits, often shortened to Kakuriyo) took me by surprise. It tells the story of a college student, Aoi Tsubaki, who was somehow spirited away into the youkai world by an imposing but cool ogre. It turns out her late grandfather, Shirou Tsubaki, promised the ogre that Aoi would be his bride, as payment for Shirou's debt. Inheriting Shirou's bravery, Aoi refused and decided to open an eatery, selling homemade human meals to pay the ogre. ๐Ÿ‘ฐ๐Ÿ‘น


With the mention of Isekai and food, I would be remiss not to mention the two seasons of Isekai Shokudou (Restaurant in Another World). IseShoku for short. This on-the-nose title centers on a western restaurant, Nekoya, which has a unique, mysterious business shift. ๐Ÿ‘จ๐Ÿป‍๐Ÿณ๐Ÿฑ


During the workdays, Nekoya is an unassuming dining place located in Tokyo. However, on weekends, a rare doorway to another world appears inside the restaurant. So, even though the restaurant is closed, it's actually open for residents of that other space. IseShoku is popular. Rumor has it that a third season is in production, thanks to its positive response. The light novel source has more than enough material for more adaptation, anyway. ๐Ÿ”๐Ÿž


Another show, Isekai Izakaya: Koto Aitheria no Izakaya Nobu (Isekai Izakaya: Nobu, the Japanese Pub in the Ancient City of Aitheria), or just Izakaya Nobu, functions similarly. This show is about Nobuyuki Yazawa, a Kyoto-based bar owner, and his waitress Shinobu Senke, who end up serving the residents of Aitheria, a singular city in another world. Not only does it have a fixed geographical setting, but an Izakaya is basically a Japanese bar. That combination puts this title's menu somewhat distinct from the previous example. Each food must complement beers here! ๐Ÿง†๐Ÿป 


The final mention completely removes the Isekai concept. Nonetheless, I won't disagree if anyone states Rokuhou-dou Yotsuiro Biyori (Rokuhou-dou: A Pleasant Day in Four Colors) feels a bit Isekai. The architectural style of the traditional Japanese tea house/cafรฉ, surrounded by those enchanting bamboo trees, gives a somewhat mystical vibe. It's as if it transports customers into ancient Japan. ๐Ÿฃ๐ŸŽ‘


In this show, four dashing men (including one Italian barista) manage the business. The unofficial leader is Kyousui Tougoku, a cat fanatic. Kyousui quit his prestigious job to run the shop his late grandfather had left him. ๐Ÿˆ☕️

(Source: TV Anime Rokuhou-dou Yotsuiro Biyori)

Besides those, there are other shows with unique, even niche themes, that involve food as well. While I haven't seen some of them for various reasons, they have amassed a strong fanbase. 


Chuuka Ichiban (Cooking Master Boy) takes place in 19th-century China, centering on Mao, who travels around the country to become a Super Chef. That setting pretty much explains what kind of cuisine this series explores. Piace: Watashi no Italian (Piacevole! My Italian Cooking) is a series of shorts about a part-time waiter at Trattoria Festa, an obvious Italian restaurant. ๐Ÿฅก๐Ÿ


If the real world seems too basic, Toriko is undeniably a bolder, braver shounen-styled version of Tonsuki. The show explores its infamous titular character's journey to find ingredients in an outlandish era called the Gourmet Age. Emiya-san Chi no Kyou no Gohan (Today's Menu for the Emiya Family) is a slice-of-life spinoff of Fate/stay night. It focuses on Shirou Emiya, who buys groceries and prepares meals for the other characters. ๐Ÿฅฉ๐Ÿฅ˜


On that note, fancy more homemade dishes? Cooking Papa and Amaama to Inazuma (Sweetness and Lightning) are good options. The former is an old-school title showcasing Kazumi Araiwa's passionate effort to cook for his journalist wife and their son. Meanwhile, the latter tells a single father, Kouhei Inuzuka, who must raise his daughter Tsumugi. Nutritional troubles prompt Inuzuka to ask his student, Kotori Iida, to help them cook. There's also Maiko-san Chi no Makanai-san (Kiyo in Kyoto: From the Maiko House). It's a story from the perspective of Kiyo Nozuki, an aspiring maiko who ends up as a live-in cook in a maiko house instead. ๐Ÿฅช⛩


Futari Solo Camp, currently airing, is predominantly an animated camping guide. Even so, one of the two leads, Shizuku Kusano, is a chef. Preparing food was how she somehow infiltrated a camping session of a solitary camper, Gen Kinokura. Eventually, they formed The Odd Couple combo. Yuru Camp (Laid-Back Camp) is similar, but as a group setting. Craving bread or pastry instead? Yakitate!! Japan, Yumeiro Pรขtissiรจre (Yumeiro Patissiere), and Bonjour♪Koiaji Pรขtisserie (Bonjour♪Sweet Love Patisserie) may satiate that palate. ๐Ÿ•๐Ÿž


Message in a Main Course

Indeed, there's more to those titles than just cooking or food. Anime, like any other storytelling-based entertainment, threads through tropes. Both definitions of the word, in fact! ✌๐Ÿป๐Ÿ˜‰

(Source: Oregon State University School of Writing, Literature and Film)

Over-the-top Food Glorification, as described earlier, is a trope. Characters that are Bad Female Cook, Lethal Chef, or Chef of Iron? Those are also familiar tropes we can often see. ๐Ÿคช๐Ÿ‘€


Focus on food flourishes across and beyond the genre itself. Even anime titles that aren't food-related give extra attention to the presentation of meals. Take a look at One Piece and see how drool-worthy Sanji's cooking can be. An episode of Egao no Taenai Shokuba desu (A Mangaka's Weirdly Wonderful Workplace) used a neatly presented Nasi Goreng to explain how a manga cover designer works. Not that it's weird, though. Food is an art form of its own, and anime is, well, art. They are two peas in a pod. ๐Ÿฅ—๐Ÿ–ผ


If we analyse that angle even further, one may also argue that the general cooking or gourmet genre itself is a recurring pattern that people feel familiarity with. Hence, a trope! In this case, the genre is embracing the second definition: "a figure of speech, a metaphor." ๐Ÿ—ฃ๐ŸŒฌ


(Source: Egao no Taenai Shokuba desu. Episode 8)


The more fascinating part is that, in anime, food serves more than just for sustenance. Meals often function as a plot tool. Behind the scenes, the writers and artists of these titles have already demonstrated their ability to weave, mix, and match food/cooking with another genre. The result is a mash-up of minced magnificence. Thanks to that, the cuisines presented aren't simply a random accessory. But they feed into a storytelling factor in each episode. They symbolize and represent emotions, growth, and even strength. ๐ŸŒผ๐Ÿ’ช


Kakuriyo makes good use of this method. It may be a supernatural romance drama. However, home cooking simmers as a vital ingredient. That's how Aoi could find her place, power, and purpose in a realm so foreign and fearsome to her. Seeing her meals open hearts and reconnect broken bonds is addictively endearing. Even when the animation quality was arguably so-so, GONZO never failed to make the meals look fine. ๐Ÿค“๐Ÿคค


The currently airing Season 2, Kakuriyo no Yadomeshi Ni, rolls into a more complicated political territory. But it maintains food as the heart, while expanding beyond the Japanese scope of Oden, Temari Sushi, and the ever-picturesque Washoku. As Aoi travels to other unseen regions in the realm, she fittingly introduces more Western tastes, such as hamburgers, unique delicacies like Borscht, and even sweets like Macarons. There's a new rival character specializing in Wagashi, too. Sure, incorporating food mission doesn't always blend seamlessly. Its assurance that a good meal can break the ice is as charming as ever, though. ๐Ÿ˜Œ๐Ÿ™


(Source: Kakuriyo Ni Episode 1)

At face value, Tonsuki itself is an action-comedy RPG. Think a fusion of Pokรฉmon and, perhaps, Octopath Traveler? But considering Mukouda, just like Aoi, is a human trapped in another world, anything he cooks grants an exclusive power boost to the natives of another world. ๐ŸŒ๐ŸŒš


Currently airing its second season as well, Tonsuki enters a glow-up stage where Mukouda raises his cooking level by using ovens and grills. The opening sequence hints that he may soon add seafood to the tray, too! As a character, he's growing and gaining new skills, much like his ever-gluttonous familiars. ๐Ÿ”ฅ✨


Unlike Kakuriyo, the philosophical resonance of food may not be as profound in Tonsuki. Then again, his meticulous meals have helped broaden his network, attracting familiars and friends alike. More importantly, it proves his underestimated skill is an asset all along. I personally would NEVER mind having his convenient skill! ๐Ÿค‘๐Ÿ’ฐ


Speaking of skill, while fiery gourmet competition titles like Ajikko and Food Wars teach their audience about perseverance and confidence, series like IseShoku and Izakaya Nobu take food or drinks to a gentle, social angle. They've transformed into a melting pot of tropes where customers of various stereotypes meet and mingle over memorable meals. ๐Ÿง‘‍๐Ÿค‍๐Ÿง‘๐Ÿค๐Ÿ‘ญ


(Source: Anime Supreme)


Dragons of all colors? A legendary samurai and hardworking reptilian village leader? Royalties from a desert kingdom and a group of pixies? IseShoku doesn't discriminate against anyone and welcomes all. ๐Ÿ‰๐Ÿ‘ณ๐Ÿฝ


Each guest comes in with a usually predictable backstory. In the episodes, the curious customers find cozy comfort once they enter the elusive door and let their guard down inside the restaurant. Sometimes they run into kindred spirits who share a love for specific meals. Regardless of their differences, they dine and interact heartily. We live in an era when petty, pointless reasons tend to divide humanity. So, seeing unity perseveres in IseShoku or Izakaya Nobu is inspiring. ๐Ÿ˜Œ๐Ÿ’ž


Rokuhou-dou, Bartender: Kami no Glass (Bartender: Glass of God, a second adaptation after Bartender), and, to a lesser extent, Shirokuma Cafรฉ, take that influence more personally. These serve as the classic iyashikei presentation. The featured cuisine generally brings clarity, if not peace of mind, to the troubled customers. Dining there allows them to let go of their worries and leave the establishment as a stronger individual. That give-and-take equally affects the main characters. And the "healed" customer usually returns with more people who need a similar release. ๐Ÿท๐Ÿ’™


Series like Rokuhou-dou aren't flashy or extravagant in any way. The calm and mature vibe may not be everyone's cup of tea. Quite literally, as the lead, Kyousui cannot even cook, and only knows how to brew tea! But that teahouse tenderness sure touches my old soul's, uhm, soul. It sends a mindful message that can be uplifting to those who can relate. ๐Ÿต๐Ÿงก


Much like my past family experience, good food brings people together. These titles remarkably remind me of that warmth. Like a gentle "It'll be all right" hug. ๐Ÿค—๐Ÿ’›


(Source: Anime Supreme)

Delicate but Delightful like a Dessert

And that's one of the (but not the only) appetizing appeals that make anime a delight. Or, should I say, one of the many possible answers to my opening question? ๐Ÿ“œ๐Ÿ˜‰


Anime offers a variety of unexpected flavors through the genres. Even the cooking/gourmet side, as already served above, is chock-full of menu items that please distinct demographics. Every season sees the release of continuations and new titles, often making it hard to keep up. ๐Ÿ“‹๐Ÿ‘€


The fairest comparison I could think of is: anime is a regular TV drama delivered in animated format. In the sense that not all will please one's preference. Generally, though, a title or two would work well enough to capture our attention. There's one for everyone. Before we know it, we're already watching the entire first season and are currently halfway through season 2! ๐Ÿ˜‚๐Ÿง๐Ÿป‍♂️


Moreover, gourmet is simply one genre. Don't get me started on sports-themed anime! I mean, seriously, please don't, because it's not a personal favorite! I wouldn't know what to say! Hahaha. For every long-running mainstream action title like Naruto or Dragon Ball, there's a diverse representation of other fields. Swimming, diving, cycling, or marathon? Anime titles exploring those stories exist. Rom-coms or just slapstick comedies featuring a range of convoluted circumstances? The list for that one is abundant. Horror, fantasy, psychology, parody? A show about a dictionary even exists! ๐Ÿ‘ป๐ŸŠ๐Ÿป‍♀️๐Ÿ‘๐Ÿป


But please don't feel that's too much on the plate. Culinary aficionados may find the titles I've mentioned here serving as a quick start. Perhaps they might surprise with their complex storytelling or pleasing visuals. Or, they can inspire ideas for the cooking lab. ๐Ÿคญ๐Ÿ‘Œ


And if I may, I suggest watching those cooking anime while eating something. Sometimes, the vivid visuals will make a simple jam sandwich feel more delectable than it should! ๐Ÿ˜๐Ÿฅช


Well, I hope this post hasn't been a mouthful. Here's a cherry on top, just in case. ๐Ÿจ๐Ÿ’๐Ÿ˜‰ 

(Source: Crunchyroll)

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